{"id":13842,"date":"2013-06-26T08:00:44","date_gmt":"2013-06-26T07:00:44","guid":{"rendered":"https:\/\/ownetic.com\/magazyn\/?p=13842"},"modified":"2021-01-12T14:58:38","modified_gmt":"2021-01-12T13:58:38","slug":"alexandra-holownia-44-art-basel","status":"publish","type":"post","link":"https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel","title":{"rendered":"44 Art Basel"},"content":{"rendered":"<p>Powsta\u0142e w 1970 roku targi sztuki klasycznej i wsp\u00f3\u0142czesnej w Bazylei, uchodz\u0105 za najwa\u017cniejsze i najwi\u0119ksze na \u015bwiecie. Z\u0142o\u017cone z handlowych, a tak\u017ce niekomercyjnych prezentacji, takich jak: Unlimited, Statements, Film, Magazins czy Parcours imponuj\u0105 rozmachem, jako\u015bci\u0105 i dochodami. Szwajcarskie targi maj\u0105 r\u00f3wnie\u017c filie w USA i Chinach. Od 2002 roku istniej\u0105 na Florydzie Art Basel Miami Beach. Natomiast w maju 2013 roku otwarto dla galerii z regionu Azji i Pacyfiku Art Basel Hong Kong. Od 12 do 16 czerwca trwa\u0142y w Bazylei 44. Art Basel.<\/p>\n<figure id=\"attachment_13889\" aria-describedby=\"caption-attachment-13889\" style=\"width: 540px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-2013-06-25-003\/\" rel=\"attachment wp-att-13889\"><img loading=\"lazy\" class=\"size-medium wp-image-13889\" title=\"Art Basel 2013 | Unlimited | L.N. Tallur | Chemould, Nature Morte MCH Messe Schweiz (Basel) AG  (\u017ar\u00f3d\u0142o: materia\u0142y prasowe)\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-2013-06-25-003-540x360.jpg\" alt=\"Art Basel 2013 | Unlimited | L.N. Tallur | Chemould, Nature Morte MCH Messe Schweiz (Basel) AG (\u017ar\u00f3d\u0142o: materia\u0142y prasowe)\" width=\"540\" height=\"360\"\/><\/a><figcaption id=\"caption-attachment-13889\" class=\"wp-caption-text\">Art Basel 2013 | Unlimited | L.N. Tallur | Chemould, Nature Morte MCH Messe Schweiz (Basel) AG (\u017ar\u00f3d\u0142o: materia\u0142y prasowe)<\/figcaption><\/figure>\n<p>W tej mega imprezie uczestniczy\u0142y trzysta cztery galerie z trzydziestu dziewi\u0119ciu kraj\u00f3w. Cztery tysi\u0105ce artyst\u00f3w prezentowa\u0142o prace, kt\u00f3rych wsp\u00f3ln\u0105 warto\u015b\u0107 oszacowano na dwa miliardy euro. W tym roku sze\u015bciodniowe Art Basel podziwia\u0142o osiemdziesi\u0105t pi\u0119\u0107 tysi\u0119cy odwiedzaj\u0105cych z ca\u0142ego \u015bwiata. Wernisa\u017c u\u015bwietnili prominenci tacy jak: niemiecki pi\u0142karz Michael Ballack, aktorzy z Hollywood: Leonardo Dicaprio i Cate Blanchett, izraelska top modelka Bar Rafaeli czy rosyjski oligarcha Roman Abramowicz.<\/p>\n<p>Ju\u017c podczas wernisa\u017cu odnotowano w galeriach londy\u0144skich milionowe obroty. Galeria \u201eNahmad\u201d sprzeda\u0142a czerwon\u0105, mobiln\u0105 rze\u017ab\u0119 <em>Sumac <\/em>autorstwa Alexandra Caldera za dwana\u015bcie milion\u00f3w dolar\u00f3w. Trzy obrazy reprezentowanego przez \u201eDavid Zwirner\u201d belgijskiego malarza Luca Tuymansa<em> <\/em>kupiono<em> <\/em>za p\u00f3\u0142tora miliona dolar\u00f3w. Galeria \u201eWaddington Custot\u201d udost\u0119pni\u0142a prywatnemu kolekcjonerowi makiet\u0119 rze\u017aby Claesa Oldenburga, <em>Feasible Monument for a City Square: Hats Blowing in the Wind <\/em>(Pomnik powsta\u0142y na miejskim placu: Kapelusze na wietrze)<em> <\/em>za cen\u0119 czterystu tysi\u0119cy dolar\u00f3w.<\/p>\n<div id='gallery-1' class='gallery galleryid-13842 gallery-columns-6 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-001'><img width=\"400\" height=\"240\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-001-400x240.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Annette Messager, L`Operation, 2011, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13864\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13864'>\n\t\t\t\tAnnette Messager, L`Operation, 2011, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-002'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-002.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Antony Gormley, Drift I, 2007-12, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13865\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13865'>\n\t\t\t\tAntony Gormley, Drift I, 2007-12, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-003'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-003.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Axel Lieber, Der Sockel des Bildhauers, 2004, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13866\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13866'>\n\t\t\t\tAxel Lieber, Der Sockel des Bildhauers, 2004, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-004'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-004.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Cady Noland, Chicken in a Basked,1989, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13867\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13867'>\n\t\t\t\tCady Noland, Chicken in a Basked,1989, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-005'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-005.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Claes Oldenburg, Hats Blowing in the Wind, 1969, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13868\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13868'>\n\t\t\t\tClaes Oldenburg, Hats Blowing in the Wind, 1969, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-006'><img width=\"135\" height=\"240\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-006.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Claire Fontaine, 2009, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13869\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13869'>\n\t\t\t\tClaire Fontaine, 2009, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-007'><img width=\"320\" height=\"240\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-007.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Darren Bader, Three pairs of socks, 2012, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13870\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13870'>\n\t\t\t\tDarren Bader, Three pairs of socks, 2012, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-008'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-008.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Fawela Cafe, Tadashi Kawamata, 44 Art Basel, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13871\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13871'>\n\t\t\t\tFawela Cafe, Tadashi Kawamata, 44 Art Basel, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-009'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-009.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Haim Steinbach, Boots, 2013, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13872\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13872'>\n\t\t\t\tHaim Steinbach, Boots, 2013, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-010'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-010.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Jason Dodge, 2012, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13873\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13873'>\n\t\t\t\tJason Dodge, 2012, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-011'><img width=\"135\" height=\"240\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-011.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Jenni C. Jones, Snnn#8, 2012, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13874\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13874'>\n\t\t\t\tJenni C. Jones, Snnn#8, 2012, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-012'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-012.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Jonah Freeman, Justin Lowe, Artichoke Underground 2012-13, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13875\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13875'>\n\t\t\t\tJonah Freeman, Justin Lowe, Artichoke Underground 2012-13, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-013'><img width=\"180\" height=\"240\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-013.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Kirsten Pieroth, La Vie Mode d`Employ, 2012, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13876\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13876'>\n\t\t\t\tKirsten Pieroth, La Vie Mode d`Employ, 2012, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-014'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-014.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Konsekwencje niezameldowanego performance&#039;u, Unilmited, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13877\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13877'>\n\t\t\t\tKonsekwencje niezameldowanego performance&#8217;u, Unilmited, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-015'><img width=\"135\" height=\"240\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-015.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Marc Swanson, Scraped Crystal Buck Head, 2012, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13878\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13878'>\n\t\t\t\tMarc Swanson, Scraped Crystal Buck Head, 2012, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-016'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-016.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Piotr Ukla\u0144ski, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13879\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13879'>\n\t\t\t\tPiotr Ukla\u0144ski, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-017'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-017.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Piotr Ukla\u0144ski, Open Wide, 2012, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13880\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13880'>\n\t\t\t\tPiotr Ukla\u0144ski, Open Wide, 2012, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-018'><img width=\"135\" height=\"240\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-018.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Robert Filliou, Angst Ende, 1980-82, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13881\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13881'>\n\t\t\t\tRobert Filliou, Angst Ende, 1980-82, fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-019'><img width=\"180\" height=\"240\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-019.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Roman Singer, Regenschirme, 2013, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13882\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13882'>\n\t\t\t\tRoman Singer, Regenschirme, 2013,  fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-020'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-020.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Tom Burr, His personal effects, 2013, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13883\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13883'>\n\t\t\t\tTom Burr, His personal effects, 2013,  fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-021'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-021.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Valentin Carron, David, 2013, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13884\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13884'>\n\t\t\t\tValentin Carron, David, 2013,  fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-022'><img width=\"400\" height=\"225\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-022.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Willie Cole, Lizzy 2013, Shoes, wire and screws, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13885\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13885'>\n\t\t\t\tWillie Cole, Lizzy 2013, Shoes, wire and screws,  fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-023'><img width=\"135\" height=\"240\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-023.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"W\u0142adys\u0142aw Hasior, Galeria Starmach 44 Art Basel, fot. Alexandra Ho\u0142ownia\" loading=\"lazy\" aria-describedby=\"gallery-1-13886\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13886'>\n\t\t\t\tW\u0142adys\u0142aw Hasior, Galeria Starmach 44 Art Basel,  fot. Alexandra Ho\u0142ownia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/art-basel-2013'><img width=\"360\" height=\"240\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-2013-06-25-001.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Art Basel 2013 | Unlimited | Aaron Curry | Rech MCH Messe Schweiz (Basel) AG (\u017ar\u00f3d\u0142o: materia\u0142y prasowe)\" loading=\"lazy\" aria-describedby=\"gallery-1-13887\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13887'>\n\t\t\t\tArt Basel 2013 | Unlimited | Aaron Curry | Rech MCH Messe Schweiz (Basel) AG (\u017ar\u00f3d\u0142o: materia\u0142y prasowe)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-2013-06-25-002'><img width=\"360\" height=\"240\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-2013-06-25-002.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Art Basel 2013 | Unlimited | Matt Mullican | Klosterfelde, Mai 36 MCH Messe Schweiz (Basel) AG (\u017ar\u00f3d\u0142o: materia\u0142y prasowe)\" loading=\"lazy\" aria-describedby=\"gallery-1-13888\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13888'>\n\t\t\t\tArt Basel 2013 | Unlimited | Matt Mullican | Klosterfelde, Mai 36 MCH Messe Schweiz (Basel) AG  (\u017ar\u00f3d\u0142o: materia\u0142y prasowe)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-2013-06-25-003'><img width=\"360\" height=\"240\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-2013-06-25-003.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Art Basel 2013 | Unlimited | L.N. Tallur | Chemould, Nature Morte MCH Messe Schweiz (Basel) AG (\u017ar\u00f3d\u0142o: materia\u0142y prasowe)\" loading=\"lazy\" aria-describedby=\"gallery-1-13889\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13889'>\n\t\t\t\tArt Basel 2013 | Unlimited | L.N. Tallur | Chemould, Nature Morte MCH Messe Schweiz (Basel) AG  (\u017ar\u00f3d\u0142o: materia\u0142y prasowe)\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><em>Wspania\u0142e jest przyjecha\u0107 na Art Basel wiedz\u0105c, \u017ce zawsze b\u0119dzie si\u0119 w gronie najwi\u0119kszych \u015bwiatowych galerii. Taka sytuacja stwarza z\u0142oty standard dla mi\u0119dzynarodowej sztuki&#8230;<\/em> \u2013 m\u00f3wi\u0142 Adam Sheffer z nowojorskiej galerii \u201eCheim &amp; Read\u201d. Usytu\u0142owane na parterze w hali 2.2 najdro\u017csze galerie: \u201eMarlborough Fine Art\u201d, \u201eLarry Gagosian\u201d, \u201eMichael Werner\u201d, \u201eHauser &amp; Wirth\u201d, \u201eKarsten Grave\u201d, \u201eWhite Cube\u201d, \u201eGmurzynska\u201d, \u201eMichael Haas\u201d, \u201eDenise Rene\u201d, \u201eThaddaeus Ropac\u201d, \u201eEdwynn Houk\u201d, \u201eDavid Zwirner\u201d, pokazywa\u0142y klasyk\u0119, mi\u0119dzy innymi malarstwo: Francisa Becona, Joana Miro, Pabla Picassa, Andy\u2019ego Warhola, rze\u017aby Takashiego Murakamiego, rysunki Louis Bourgeois. Bardziej eksperymentalne, nowatorskie propozycje wisia\u0142y na pi\u0119trze w hali 2.1.<\/p>\n<figure id=\"attachment_13888\" aria-describedby=\"caption-attachment-13888\" style=\"width: 540px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-2013-06-25-002\/\" rel=\"attachment wp-att-13888\"><img loading=\"lazy\" class=\"size-medium wp-image-13888\" title=\"Art Basel 2013 | Unlimited | Matt Mullican | Klosterfelde, Mai 36 MCH Messe Schweiz (Basel) AG  (\u017ar\u00f3d\u0142o: materia\u0142y prasowe)\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-2013-06-25-002-540x360.jpg\" alt=\"Art Basel 2013 | Unlimited | Matt Mullican | Klosterfelde, Mai 36 MCH Messe Schweiz (Basel) AG (\u017ar\u00f3d\u0142o: materia\u0142y prasowe)\" width=\"540\" height=\"360\"\/><\/a><figcaption id=\"caption-attachment-13888\" class=\"wp-caption-text\">Art Basel 2013 | Unlimited | Matt Mullican | Klosterfelde, Mai 36 MCH Messe Schweiz (Basel) AG (\u017ar\u00f3d\u0142o: materia\u0142y prasowe)<\/figcaption><\/figure>\n<p>Niestety Art Basel zdominowa\u0142 minimalizm i konceptualizm. Szkoda, \u017ce wystawiaj\u0105ce galerie nie potrafi\u0142y wylansowa\u0107 innego kierunku. Postanowi\u0142am poszuka\u0107 najbardziej kontrowersyjnych dla mnie prac. W nowojorskiej galerii \u201eAndrew Kreps\u201d znalaz\u0142am instalacj\u0119 z\u0142o\u017con\u0105 z trzech zwini\u0119tych \u017c\u00f3\u0142tych skarpet, zatytu\u0142owan\u0105 <em>Three pairs of socks <\/em>(Trzy pary skarpet)<em>,<\/em> autorstwa Darrena Bader, w cenie osiemdziesi\u0119ciu pi\u0119ciu tysi\u0119cy dolar\u00f3w. Ucieszy\u0142y mnie skarpety Darrena Badera, poniewa\u017c od lat \u015bledz\u0119 losy skarpet w sztuce wsp\u00f3\u0142czesnej. Pierwszy raz tematyk\u0119 t\u0119 pozna\u0142am w galerii Saatchi oraz na targach sztuki wsp\u00f3\u0142czesnej Frieze Art Fair w Londynie w 2008 roku. Nast\u0119pnie stwierdzi\u0142am, \u017ce galeria \u201eMetro Pictures\u201d z Nowego Jorku nadal konsekwentnie pr\u00f3buje zarobi\u0107 na <em>ready made <\/em>w postaci p\u0119ku kluczy paryskiej artystki Claire Fontaine w cenie pi\u0119ciu tysi\u0119cy euro. Prac\u0119 t\u0119 r\u00f3wnie\u017c widzia\u0142am wcze\u015bniej na targach w Londynie. Wielkie wra\u017cenie wywar\u0142 na mnie obiekt Kirsten Pieroth <em>La Vie Mode d<\/em><em>`Emplo<\/em><em>i <\/em>(Instrukcja \u017cycia) z 2012 roku. By\u0142 to s\u0142oik z przegotowan\u0105 wod\u0105, do nabycia w tury\u0144skiej galerii \u201eFranco Noero\u201d za sze\u015b\u0107 tysi\u0119cy euro. Na stoisku galerii wyja\u015bniono mi, \u017ce \u00f3w s\u0142oik, podobnie jak i zawarta w nim woda, ma swoj\u0105 histori\u0119.<\/p>\n<p>Moj\u0105 uwag\u0119 przyku\u0142 r\u00f3wnie\u017c wykreowany przez Jasona Dodge, plik z\u0142o\u017conych w kostk\u0119 i zwi\u0105zanych sznurkiem granatowych \u015bcierek, zatytu\u0142owany <em>Marlies Scholz in webte ein St\u00fcck Stoff. Sie wurde gebeten, ein Garn in der Farbe der Nacht zu verwenden, so lang wie der Abstand von der Erde zu Oben \u00fcber dem Wetter (12 km)<\/em> (Gdy Marlies Scholz prz\u0119d\u0142a tkanin\u0119, poproszono j\u0105 u\u017cywa\u0107 prz\u0119dzy w kolorze nocy, tak d\u0142ugiej jak odleg\u0142o\u015b\u0107 od Ziemi w g\u00f3r\u0119 nie zwracaj\u0105c uwagi na pogod\u0119 (12 km)) z 2008 roku do nabycia w \u201eCasey Kaplan\u201d za dwadzie\u015bcia tysi\u0119cy euro. Zaintrygowa\u0142y mnie wisz\u0105ce w b\u0142\u0119kitnej beczce czarne parasole<em> Regenschirme <\/em>(Parasole)<em> <\/em>z<em> <\/em>2013 roku wykonane przez szwajcara Romana Singera. Temu urodzonemu w 1938 roku arty\u015bcie przyznano na Art Basel &nbsp;\u2013 za uprawianie m\u0142odej duchem sztuki \u2013 nagrod\u0119 Prix Mobiliere 2013 w wysoko\u015bci pi\u0119tnastu tysi\u0119cy frank\u00f3w.<\/p>\n<figure id=\"attachment_13882\" aria-describedby=\"caption-attachment-13882\" style=\"width: 540px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\/44-art-basel-fot-alexandra-holownia-2013-06-25-019\/\" rel=\"attachment wp-att-13882\"><img loading=\"lazy\" class=\"size-medium wp-image-13882\" title=\"Roman Singer, Regenschirme, 2013,  fot. Alexandra Ho\u0142ownia\" src=\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-019-540x720.jpg\" alt=\"Roman Singer, Regenschirme, 2013, fot. Alexandra Ho\u0142ownia\" width=\"540\" height=\"720\"\/><\/a><figcaption id=\"caption-attachment-13882\" class=\"wp-caption-text\">Roman Singer, Regenschirme, 2013, fot. Alexandra Ho\u0142ownia<\/figcaption><\/figure>\n<p>Podziwia\u0142am wystawc\u00f3w maj\u0105cych odwag\u0119 handlowania tymi szczeg\u00f3lnymi obiektami. Po g\u0142\u0119bszych przemy\u015bleniach stwierdzi\u0142am, \u017ce owe prace s\u0105 dalszym rozwini\u0119ciem poszerzonego poj\u0119cia sztuki. Arty\u015bci nadaj\u0105 wybranym przez siebie przedmiotom codziennego&nbsp; u\u017cytku wyj\u0105tkowe znaczenie przypisuj\u0105c im tajemnicze, podniecaj\u0105ce historyjki. Warto jeszcze wspomnie\u0107 o kontrowersyjnej instalacji <em>Favelas Cafe <\/em>japo\u0144czyka Tadashi Kawamata. Na zam\u00f3wienia Unlimited, w przestrzeni otwartej placu targowego, artysta zbudowa\u0142 z dykty, odpad\u00f3w drewna i listew osiemna\u015bcie bud s\u0142u\u017c\u0105cych za kawiarni\u0119 dla targowej publiczno\u015bci. Wielu krytyk\u00f3w uzna\u0142o ten projekt za dekadencki, a grupa m\u0142odych szwajcarskich artyst\u00f3w protestowa\u0142a przeciw wykorzystaniu wizerunku faweli w celach komercyjnych. Pokojowe zgromadzenie i protest artyst\u00f3w na \u017cyczenie Unlimitet rozgoniono u\u017cywaj\u0105c policji. Dzie\u0144 wcze\u015bniej policja wyprowadzi\u0142a z wystawy Unlimitet performerk\u0119 pr\u00f3buj\u0105c\u0105 swych si\u0142 w niezapowiedzianej akcji querilla. Zauwa\u017cy\u0142am, \u017ce szwajcarzy podcinaj\u0105 skrzyd\u0142a spontanicznym, wolnym akcjom na przeprowadzenie kt\u00f3rych trzeba mie\u0107 specjalne pozwolenie.<\/p>\n<p>W Bazylei nie zabrak\u0142o r\u00f3wnie\u017c polskich artyst\u00f3w. Artur \u017bmijewski wystawia\u0142 w sekcji Parcours, Piotr Ukla\u0144ski pokaza\u0142 gigantyczn\u0105 tkanin\u0119 w Unlimitet, a w Kunsthalle otwarto indywidualn\u0105 wystaw\u0119 Pauliny O\u0142owskiej. Poza tym od lat sta\u0142ymi bywalcami Art Basel s\u0105 dwie polskie galerie: \u201eFundacja Foksal\u201d z Warszawy i \u201eStarmach\u201d z Krakowa.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>W tej mega imprezie uczestniczy\u0142y trzysta cztery galerie z trzydziestu dziewi\u0119ciu kraj\u00f3w. Cztery tysi\u0105ce artyst\u00f3w prezentowa\u0142o prace, kt\u00f3rych wsp\u00f3ln\u0105 warto\u015b\u0107 oszacowano na dwa miliardy euro. W tym roku sze\u015bciodniowe Art Basel podziwia\u0142o osiemdziesi\u0105t pi\u0119\u0107 tysi\u0119cy odwiedzaj\u0105cych z ca\u0142ego \u015bwiata. <\/p>\n","protected":false},"author":9,"featured_media":13864,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[7,1849,1850,849],"powerkit_post_featured":[],"coauthors":[14081],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>44 Art Basel<\/title>\n<meta name=\"description\" content=\"Powsta\u0142e w 1970 roku targi sztuki klasycznej i wsp\u00f3\u0142czesnej Art Basel w Bazylei, uchodz\u0105 za najwa\u017cniejsze i najwi\u0119ksze na \u015bwiecie.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/ownetic.com\/magazyn\/#website\",\"url\":\"https:\/\/ownetic.com\/magazyn\/\",\"name\":\"Ownetic Magazine\",\"description\":\"Magazine\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/ownetic.com\/magazyn\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/ownetic.com\/magazyn\/2013\/alexandra-holownia-44-art-basel#primaryimage\",\"url\":\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-001.jpg\",\"contentUrl\":\"https:\/\/ownetic.com\/magazyn\/wp-content\/uploads\/2013\/06\/44-art-basel-fot-alexandra-holownia-2013-06-25-001.jpg\",\"width\":675,\"height\":1200,\"caption\":\"Annette Messager, L`Operation, 2011, fot. 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